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Diego Velazquez
Two Men at a Table
Wellington Museum, London
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Diego Velazquez
The Waterseller of Seville
1623
Wellington Museum, London, England
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Diego Velazquez
Luis Gongora y Argote
1622
Museum of Fine Arts, Boston
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Diego Velazquez
Joseph's Bloody Coat Brought to Jacob
1630
Monasterio de San Lorenzo, El Escorial
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Diego Velazquez
Philip IV
1624-27
Museo del Prado,, Madrid
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Diego Velazquez
The Feast of Bacchus
1628-29
Museo del Prado, Madrid
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Diego Velazquez
Saint Anthony Abbot Saint Paul the Hermit
Museo del Prado, Madrid
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Diego Velazquez
Christ in the House of Martha and Mary
National Gallery, London
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Diego Velazquez
An Old Woman Cooking Eggs
1618
National Gallery, London
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Diego Velazquez
The Immaculate Conception
National Gallery, London, England
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Diego Velazquez
Three Musicians
Gemaldegalerie, Berlin
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Diego Velazquez
Philip IV in Army Dress
1644
Frick Collection, New York
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Diego Velazquez
Mercury and Argus
1659
Museo del Prado, Madrid
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Diego Velazquez
The Infanta Margarita
Museo del Prado, Madrid
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Diego Velazquez
Philip IV-g
1653-55
Museo del Prado, Madrid
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Diego Velazquez
Las Meninas
1656
Museo del Prado, Madrid
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Diego Velazquez
The Infanta Margarita-p
1656
Art History Museum, Vienna
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Diego Velazquez
The Toilette of Venus
National Gallery, London
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Diego Velazquez
The Fable of Arachne
1657
Museo del Prado, Madrid
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Diego Velazquez
The Infanta Margarita-o
1659
Art History Museum, Vienna
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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